Greek and Roman Studies

What makes a monster? -- Classical monsters and where to find them -- Monsters on film in the Harryhausen era -- Muscles and imagination : the modern Peplum and beyond -- Monsters and mythologies in Hercules : the legendary journeys -- Tripping the telefantastic in Xena: warrior princess and Doctor Who -- Thoroughly modern Medusa -- Lost In the Minotaur's maze -- Epilogue : the Sirens still sing.

"Anthony A. Long presents fourteen essays on the themes of selfhood and rationality in ancient Greek philosophy. The discussion ranges over seven centuries of innovative thought, starting with Heraclitus' injunction to listen to the cosmic logos, and concluding with Plotinus' criticism of those who make embodiment essential to human identity. For the Greek philosophers the notion of a rational self was bound up with questions about divinity and happiness called eudaimonia, meaning a god-favoured life or a life of likeness to the divine. While these questions are remote from current thought, Long also situates the book's themes in modern discussions of the self and the self's normative relation to other people and the world at large. Ideas and behaviour attributed to Socrates and developed by Plato are at the book's centre. They are preceded by essays that explore general facets of the soul's rationality. Later chapters bring in salient contributions made by Aristotle and Stoic philosophers. All but one of these pieces has been previously published in periodicals or conference volumes, but the author has revised and updated everything. The book is written in a style that makes it accessible to many kinds of reader, not only professors and graduate students but also anyone interested in the history of our identity as rational animals"-- Provided by publisher.

How a legendary woman from classical antiquity has come to embody the threat of transcendent beauty in movies and TV Helen of Troy in Hollywood examines the figure of the mythic Helen in film and television, showing how storytellers from different Hollywood eras have used Helen to grapple with the problems and dynamics of gender and idealized femininity. Paying careful attention to how the image of Helen is embodied by the actors who have portrayed her, Ruby Blondell provides close readings of such works as Wolfgang Petersen's Troy and the Star Trek episode "Elaan of Troyius," going beyond contextualization to lead the reader through a fundamental rethinking of how we understand and interpret the classic tradition. A luminous work of scholarship by one of today's leading classicists, Helen of Troy in Hollywood highlights the importance of ancient myths not as timeless stories frozen in the past but as lenses through which to view our own artistic, cultural, and political moment in a new light. This incisive book demonstrates how, whether as the hero of these screen adaptations or as a peripheral character in male-dominated adventures, the mythic Helen has become symbolic of the perceived dangers of superhuman beauty and transgressive erotic agency.

This innovative and wide-ranging volume is the first systematic exploration of the multifaceted relationship between human bodies and machines in classical antiquity. It examines the conception of the body and bodily processes in mechanical terms in ancient medical writings, and looks into how artificial bodies and automata were equally configured in human terms; it also investigates how this knowledge applied to the treatment of the disabled and the diseased in the ancient world. The volume examines the pre-history of what develops, at a later stage, and more specifically during the early modern period, into the full science of iatromechanics in the context of which the human body was treated as a machine and medical treatments were devised accordingly. The volume facilitates future dialogue between scholars working on different areas, from classics, history and archaeology to history of science, philosophy and technology.

Learning to use the research tools to unravel the intricate terminology of classification of antiquities is a formidable task. Van Keuren's work aims to enable students both to use these tools and to devise projects for their own research. After a major reference is presented, handbooks and monographs are successively identified in ways that suggest patterns of information. These patterns will allow students to formulate hypotheses to undertake original research. With use of the library collection, original questions can be asked and answered.

This book takes a fresh look at visual representations of women in the ancient Near East, Egypt, Greece, and Rome, and analyzes them for indications of women's roles in these societies. After examining their traditional functions as wives and mothers, the author presents evidence of women's participation in the public and religious spheres. Juxtapositions comparing images and attitudes of each society reveal whether the women portrayed are meant to be examples of perfect femininity or the object of scorn, faithful wives or untouchable priestesses or high-living prostitutes. Depictions of goddesses and the dress and adornments of women are analyzed for what they divulge about ideals of feminine beauty and attitudes toward female nudity.  The text is packed with quotations from contemporary sources that reveal details about women in the ancient world, often with surprising resonance for our own time. The illustrations, many specially commissioned, include public art and domestic artifacts: sculptures, wall and mummy case paintings, engravings, silver objects, and jewelry.